Rise Anew

Revision 34313

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BenSibelman
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This is a music video concept by [[Ben]] based on the ideas in [[Bringing life to our world#Crossing the gap]], using the song "Dawn" by Poets of the Fall. {| | '''Lyrics''' | | '''Visuals''' |- | | | Opening shot: Black smoke pouring out of smokestacks. Follow the smoke upward and zoom in until it fills the screen. |- | When darkness is no less | | Fade to a dimly rudlit room with posters on the wall: a large factory, a skyscraper, a station with a futuristic train coming out of it. |- | Than everything you've built become undone | | Pan across the posters to a woman looking out the window at a city in flames under a black sky, with a large street protest being barely held back by a wall of riot police. |- | There's no fight, and no flight | | Follow the woman as she walks across the room, passing two more posters on the opposite wall: an aircraft carrier and a large rocket rising into orbit. |- | Disaster leaves your passion overrun | | The woman sits down at a desk and slumps in despair. The desk is covered in blueprints, on top of which is a newspaper with headlines "FOOD RIOTS: Global Drought Worsens" and "RISING SEAS." |- | It's time to let go | | A man puts his hand on the woman's shoulder and gently gets her to stand up. |- | Time to carry on with the show | | They enter a hallway lit by a flashing fire alarm and start to hurry toward an exit stairway. |- | Don't mourn what is gone | | They leave the building by a small side door and hurry away behind the backs of the riot police. Zoom in on an angry, tearful protester whose sign reads "R.I.P.: LIVABLE CLIMATE, 10 MILLION SPECIES, CIVILIZATION." |- | Be the dawn | | Fade to white, then to sunrise over a bay. |- | And I will be standing by your side | | Pull back to show the man and woman standing on a promontory overlooking the seaside city, which is still burning. |- | Together we'll face the turning tide | | Fade to the same scene, but with the sea having risen to flood the streets and the fires having largely gone out, leaving burnt-out, skeletal buildings surrounded by water. |- | (Instrumental section) | | Montage of environmental destruction: a forest fire, dead brown crops, floods, storms, etc. |- | Remembrance can be a sentence | | Pan down from the ruined city on the horizon, past a broken-down combine harvester in a huge fallow field, to the man and woman, now older, working among others on a small organic farm plot as storm clouds mass overhead. |- | But it comes to you with a second chance in tow | | The man and woman hurrying into a small room with torrential rain beating against the windows, drenched and looking beaten-down. |- | Don't lose it, don't refuse it | | The woman sits at a desk and opens a book to diagrams labeled "Internal Combustion Engine" and "Coal-Fired Power Plant." |- | For you cannot learn a thing you think you know | | The woman closes the book and pushes it aside. Its cover reads "Blueprints for Civilization." |- | A new light is warm | | A sunbeam appears, shining through a grimy window behind the woman. |- | Shining down on you after the storm | | Sunlight illuminates the desk. The woman gets out a sketchpad and starts drawing. |- | Don't mourn what is gone | | The man looks over her shoulder and they both smile. |- | Be the dawn | | Fade to white, then to sunrise over the bay. |- | And I will be standing by your side | | Pull back to show the man and woman standing on a promontory overlooking the ruined, flooded city. |- | Together we'll face the turning tide | | They turn to join a large group of people headed down the hill toward the city, carrying building materials. |- | (Instrumental section) | | Montage of the city being reclaimed and rebuilt using sustainable technologies: wind turbines, solar panels, green roofs, electric boats, etc. |- | | | Possible final shot: Pan up from the city to follow a space-elevator climber rising up a cable into the brightening sky. |}